1980s Eames Folding Screen for Herman Miller

As Charles and Ray Eames saw it, designers just want to have "serious fun." This 68-inch-high, undulating screen resulted from their play. It is a portable, foldable, enjoyable way to divide space, provide a backdrop, and add privacy. The screen was designed as a complement to other Eames molded plywood creations. It is also a stand-alone piece distinctive in all kinds of settings. This folding screen was purchased in the USA in the 1980s.

Six U-shaped sections. Each section is 10 inches long; the screen unfolds to 60 inches long and just 2 1/4 inches thick.

Flexible connections. A durable, woven polypropylene mesh connects the six plywood sections so it's easy to adjust the footprint.

Folds for storage. Easy to carry and tucks neatly away.

As well as furniture design, Charles and Ray Eames worked in architecture, industrial design and manufacturing, and film making. From designing plywood splints for the US Navy, they learnt to mould plywood and put their first plywood chair into production in 1946. This chair took a central role in the New York Museum of Modern Art's 'New Furniture Designed by Charles Eames' exhibition and led to the long-term collaboration between Eames and the Herman Miller manufacturing company. In a quest to produce chairs from single shells, the Eameses began working with fibreglass. Production of these chairs began in 1950 by Zenith on behalf of Herman Miller. From here they diversified into wire chairs and leather upholstered lounge chairs.

The designs of Charles and Ray Eames are all characterised by their modern, functional and sophisticated style. The Eameses are considered among America's most influential furniture designers, shaping the look of the post-war era.